Just For Lookin' Thru

Watching Styx is an uncomfortable experience throughout, and a film that raises many questions. The film outline has told us exactly what to expect so there’s no surprise when Rike spots the stricken vessel overloaded with refugees, after she has been happily sailing, reading, enjoying her solitude, and anticipating reaching the scientifically created paradise. Rike (Susanne Wolff) is an emergency doctor working in Gibraltar who has set sail on a solo voyage to Ascension Island, part of the British Overseas Territory. Previously barren land, the British introduced trees and non-indigenous planting; now there is lush bamboo and the Green Mountain (cloud) Forest, and she is intrigued by the idea of this fully functioning artificial ecosystem created by Charles Darwin, Joseph Hooker (explorer and botanist) and the Royal Navy from around 1843. Darwin’s Theory of Evolution describes the process of natural selection and survival of the fittest yet, in creating the self-sustaining and ...

In this story of transgression and loss, Maggie Gyllenhaal plays Lisa, a dedicated, kindly teacher of 5 year olds. She yearns for creative expression and attends a poetry evening class but is frustrated with her writing. One of the children in her class, Jimmy, begins to pace back and forth across the classroom speaking lines whilst in an apparent trance, as though he is channelling words of an experienced wisdom beyond his years. His poetic nature excites her as he speaks from feeling rather than from thinking, or over thinking, as she does with her own attempts at poetry. Lisa fixates on his words, racing to scribble down every utterance, to capture his lines before they are lost forever. However, it is troubling that, at her evening class, she presents one of his poems as her own work. It is well received, and she repeats this theft of creative copyright and intellectual property the following week. The film suggests that her own latent talent was crushed by the everyday,...

What moment would you pick as the standout moment in a weekend of adventure travel films, workshops and presentations camping and bush craft, organised by Lois Pryce and Austin Vince ? It’s a tough call. You may have been baffled by Tim Cope and Chris Hatherley’s fourteen month trip from Russia, across Serbia and Mongolia, to Beijing, enduring cold, hunger, exhaustion and frostbite. The two twenty year old guys from Australia shared a tent, their sleeping and waking hours, and the arduous journey in ‘ Off The Rails’ (2001). Maybe you were impressed by the nomadic Bakhtiari people in the 1976 film ‘ People of the Wind ,’ filmed by Anthony Howarth, making the annual migration across the Iranian mountains, leading their flock from Summer to Winter pasture.  With speaking much, without visible signs of communication or affection, the families are individually focussed on their roles: small children carry their younger siblings, lambs or puppies, colts or calves, along haza...

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

Loser Harvey Shine (Dustin Hoffman) heads for London to attend his daughter’s marriage to a young man he’s never met. Estranged from his family, and close to being dropped from his jingle writing job, his isolation is flagged up by him being booked into a second rate hotel alone while the rest of the wedding party are all bonding in a rented house. Singleton Kate Walker (Emma Thompson) works at Heathrow and gets set up for a wretched blind date by a work colleague which only reinforces her sense of separation. Harvey flies into London and he and Kate miss each other twice. They meet only at the point when Harvey is sufficiently humiliated to feel the need to offload to a stranger and she’s it. Kate persuades Harvey to return to the evening wedding reception and he takes her along. Buoyed up by her presence, Harvey does the right thing at last, reclaims his dignity, the love of his daughter and some respect from his ex-wife. Billed as a romantic comedy, there are comic ...

Colin Firth is cast as single dad again, a role he plays convincingly. Recently the slightly harassed father of two small children in ‘Then She Found Me,’ this time his daughters are older, 10 and 16 at a guess, and his concerns are different for each one. Tragically widowed, he’s offered a change of scene – to leave the US and take up a teaching post at a University in Genova, maybe too early for his stunned daughters. His approach to them both is sensitive and relaxed but each character copes very separately with the sudden loss of wife and mother. The youngest girl is traumatized by feelings of guilt, an astonishingly natural and convincing performance drawn from Perla Haney-Jardine. Disturbing hallucinations cut her off further from her father and sister and, during occasional nightmares, her distress is searing. The older sister (Willa Holland) detaches herself from her father and sister, sampling the Mediterranean life of sunshine and sex, disguising her fragility by...

Sara Maitland’s short story is set in the Arctic, filmed in barren icescapes and stony shores. Saiva (Michelle Yeoh) has cast herself out into the cold wilderness, cursed: all who love her are doomed, so she keeps moving, away from people, eking out her existence. Her only company is a baby she saved from a massacre when she was a young woman, and the girl is now full grown. The two women hunt seals, birds, deer, and keep warm under layers of wolfskin, pitching their yurt in bleak landscapes amidst the Arctic winds. The silence of the film is calming, the script is almost wordless, but the cinematography is rich with facial expression and graphic killing scenes. The film opens with Saiva hungry to the point of desperation. Cradling the head of one of her dogs, she soothes it, caresses it, then cuts its throat. The meat is tough but the two women have to live. Into this menacing territory stumbles Loki (Sean Bean), close to death and at their mercy. Saiva’s curiosity ab...

Some stereotypes appear early on in this film about modern survival in America but these are soon forgotten as the story develops. Clint Eastwood acts and directs in this film about immigrants, attracted to play the part of the newly widowed Walt Kowalski. A Korean war veteran, he is deeply resentful of his Hmong neighbours, angry at the fall in standards, the unkempt lawns and houses, and by being surrounded by people whose culture he does not understand. America is changing, Walt is Polish and prejudiced but he goes to an Italian-American barber, is friendly with an Irish building foreman - his friends are all earlier immigrants or economic migrants from Europe. His new neighbours are Hmong, the teenage son, Thao, is meek, and Walt has no desire to understand them. However, they are forced together. The lad is persuaded to try and steal Walt's vintage car, a 1972 Gran Torino but Walt, being Clint, is no crime victim. During an interview on Radio 4’s Front Row, Eastwo...

Stunning cinematography of slum life in India, oblique camera angles, great colour and lively footage of laughing, running children. The boy Jamal and his brother live in flimsy shacks, making small amounts of money any way they can. Orphaned when a gang kill their mother, the boys take off and live amongst the mountains of rubbish, grubbing around for survival. It is unclear why Jamal’s brother is unkind to the little girl who attaches herself to them but Jamal is sympathetic towards her and, for a time, they travel together. After a short, calamitous and fascinating life, the teenager Jamal is a contestant on ‘Who Wants to be a Millionaire’ watched by most of the country. He answers each question correctly, as each one is relevant to an episode of his extraordinary life. This gets him arrested for cheating because the quiz show doesn’t have the funds to pay his prize (although the reason for his arrest is not made clear in the film, and the clever reason for Jamal needing to...

Love and sunshine for Vicky and Christina, two young American girls spending a summer in Barcelona. Vicky (Rebecca Hall) is engaged and has come to stay with a family friend whilst doing research for her thesis. She is confident, mature and not to be trifled with. Cristina (Scarlett Johansson) is unattached, sexually available, sexually uninhibited and keen to be trifled with. When the two girls are approached in a restaurant by bohemian artist Juan Antonio (Javier Bardem) with a direct offer to come away for the weekend with him and enjoy a sexual threesome, Cristina is game. Vicky agrees to go along as chaperone but barely tolerates Juan Antonio’s well rehearsed seduction techniques and apparently innocent openness. Cristina slips upstairs to his room for some eagerly anticipated lovemaking but falls ill and spends the weekend alone in her own bed, throwing Vicky and Juan Antonio together. Rebecca Hall is excellent as the modern, educated young woman with a life plan, a ...

Subtle, simple story written and directed by Becker about male friendship in rural France. A middle-aged, middle-class Parisian artist (Daniel Auteuil) returns to his boyhood home in the country – he is separated from his wife, his girlfriend has been cheating on him and his relationship with his daughter is strained. Both his parents now dead, he escapes from the difficulty of relationships with women and settles into his old family home to paint. He decides to breathe life into the place again and advertises for a gardener to restore the extensive gardens. (Jean-Pierre Darroussin) arrives on a rickety looking velo, and the two men recognize each other from early days at school. They seem only to have their shared beginning in common, their experiences and outlook on life are so different, but the two men become friends, gradually understanding each other’s perspective and developing a frank intimacy. Although ultimately the artist’s journey is one of redemption and trans...

Generally implausible. Unlikely marriage followed by unlikely affair. April (Helen Hunt) marries Ben (Matthew Broderick), a Jewish boy with arrested development. She is almost 40 and desperate for a baby, and their odd relationship indicates lust for each other although they are unable to communicate, despite supposedly being best friends. Ben leaves her and goes back to mother. That same day she meets Frank (Colin Firth) and within a few days is in love with him but she still wants to have sex with her estranged husband. Already neurotic and fragile, her adoptive mother dies, leaving April with a lot of emotional baggage to deal with. But this is not all. Her birth mother, Bernice (Bette Midler), has tracked her down and wants a reunion. This set up is perfect for a farce and there are light moments. April initially doesn’t believe Bernice is her mother and gets pretty stressed about the near-stalking. Understandably attracted to Frank as the only stable character in this...

Kristen Scott Thomas plays Juliette, a woman just released from prison after serving 15 years. Reunited with her much younger sister, Léa (Elsa Zylberstein), Juliette tries to find where she fits in with her family and the outside world. When first seen, Juliette looks depressed, is silent and withdrawn, and almost hostile to her younger sister’s attempts to integrate her into her own warm family set up. It is not clear for a while where she has been, why the sisters are estranged, and why Juliette seems so resentful. Léa’s husband, Luc, is suspicious and family tensions are nicely observed. With little dialogue and a strongly visual emphasis, the narrative flowed a bit slowly at times and the reason for her imprisonment could have come a bit earlier. Only one scene in the entire film was clumsy exposition, with the awkward attempt by a social worker to draw out Juliette. Deeply wounded and fragile, she is too intelligent to be befriended by a busybody, however well meanin...

Casino Royale left Bond wanting revenge. QofS follows up with a frenzied opening car chase sequence, with Bond in the Aston screaming through tunnels, round bends, getting shot at and, eventually delivering his cargo. The unusual thing about this car chase is the camerawork. Rarely seeing whole vehicles, jigsaw close-ups of tiny bits of cars are slammed at the audience. This dizzying, anxiety inducing onslaught feels like being repeatedly hit in the face and deafened at the same time. Several times the cinematography mixes two dramatic events together, ie a horserace above ground with an interrogation below. The result is confusion and disorientation and is reminiscent of the noise and colour of carnival intercuts from early Bond movies. QofS incorporates motifs from other Bond classics – a flight battle in mountainous terrain and a speedboat pursuit. However, QofS omits the humour, the characterisation, the sexiness, the glamour, and a storyline. There is little sense of ...

Stylish, melodramatic story about the perils of desire, with elements of noir and dark humour. Harry (superbly played by Chris Cooper) is married to Pat (Patricia Clarkson) but his contented home life with her lacks romance. He falls for young, sweet Kay (Rachel McAdams) and decides that he will have to kill his wife to spare her the pain of him leaving. Cue an element of farce. Neither scheming nor worldly, McAdams’ femme fatale is an innocent, but she is still the prize that can drive a man to commit murder in order to claim her. Pierce Brosnan plays Harry’s deceptive, predatory male friend, out to steal the girl, and he narrates the voiceover as homage to 40s and 50s suspense movies. Deftly handled by Sachs, wonderfully shot, and beautifully styled in 1949 sepia tints, beiges and greys, post-war neat and tidy corporate America is a real treat. Period detail and accessories are spot on. Quality film-making, delightful intrigue and great fun, all in one package.

If you can stomach the soft porn indulged in for the first part of this film, it becomes an interesting examination of the Western fixation with the body, youth and sex. Focussing on decaying flesh and men’s attitudes towards ageing, it also gives charming insight into male friendship. Student Consuela (Penelope Cruz) has her kit off a lot so that her professor Kepesh (Ben Kingsley) can enjoy the pleasures of her fresh flesh, so we have to endure it too. The point laboured here is that she is youthful and beautiful, and her ageing lover feels very insecure about his maturity in comparison. The age gap doesn’t bother Consuela, however. The problem is all in Kepesh’s psyche. She loves him but he keeps her at an emotional distance whilst being possessive, jealous and neurotic about not being worthy. His certainty that the affair is doomed prevents him enjoying it, and seals their fate. He does have uncomplicated sex with a woman his own age (Patricia Clarkson) and this se...

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...

  Widowed Walter is a dry old stick. He returns to his long empty New York apartment and finds it occupied by an immigrant couple. Afraid of being deported, they leave, but Walter takes pity on them and invites them to stay. Young, handsome Syrian, Tarek and his energetic Senegalese girlfriend, Zainab, offer a contrast to the academic, lapsed writer whose life has ground to a halt. Zainab barely tolerates almost lifeless Walter but Tarek is kind, encourages Walter to play the drum and their friendship develops. When Tarek is arrested and detained, Walter’s reawakened affections motivate him to help the couple. Tarek’s mother arrives and Walter’s desiccated heart warms even more. Attractive, educated, cultured immigrants engage all Walter’s sympathies but these attributes cut no ice with official policy. Faced with the cold, impenetrable US immigration system, Walter’s passion fails to save his new friend, but he uses his love of music to keep alive Tarek’s...

Refreshing and funny, Audrey Tautou plays Irène, a scheming gold digger, who mistakes a poor waiter for a wealthy businessman. Passive, slightly depressed Jean (Gad Elmaleh) plays along, false prince to her false darling. When he is exposed as a fraud, Irène reveals her true colours. No darling but a shrewd materialistic manipulator, she bleeds Jean dry, dumps him and sets off in search of a new sugar daddy. Unable to shake off jobless, homeless and lovelorn Jean, the pair become allies and Irène coaches Jean in his new role as gigolo to a rich woman. Each has something to teach the other. In this world of grand hotels, chic boutiques and luxury, their collusion brings them closer. Set in the sunny, glamorous South of France, this charming romantic comedy takes a wry look at the vain and superficial, and Irène and Jean’s attempts to survive amongst the rich and idle.