PRICELESS. Dir Pierre Salvadori. 2007

Refreshing and funny, Audrey Tautou plays Irène, a scheming gold digger, who mistakes a poor waiter for a wealthy businessman. Passive, slightly depressed Jean (Gad Elmaleh) plays along, false prince to her false darling.

When he is exposed as a fraud, Irène reveals her true colours. No darling but a shrewd materialistic manipulator, she bleeds Jean dry, dumps him and sets off in search of a new sugar daddy.

Unable to shake off jobless, homeless and lovelorn Jean, the pair become allies and Irène coaches Jean in his new role as gigolo to a rich woman. Each has something to teach the other. In this world of grand hotels, chic boutiques and luxury, their collusion brings them closer.

Set in the sunny, glamorous South of France, this charming romantic comedy takes a wry look at the vain and superficial, and Irène and Jean’s attempts to survive amongst the rich and idle.

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GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

Running ‘till your nipples bleed

An email from a friend of mine arrives; she complains that, at work, she is routinely subjected to gruesome accounts of female colleagues’ intimate medical procedures and gynaecological problems. I am all commiseration because I, too, have had years of listening to workplace chats about periods, childbirth and sex lives. Oh please. Later, I wander off for a walk in the early evening sunshine and it is so silent and so beautiful that I flop down on the grass and lay awhile gazing out over the rolling fields, and the mouth of the river, and fall into a reverie. Two men pass by. A few minutes later sounds of women’s talk float nearer and, by the time the two females of the species draw level with me, I have risen up from my deliciously recumbent position in the meadow, alert and tense, something like a meerkat. “I do feel for her. Going down that IVF route is such an emotional roller coaster. I was never prepared for how terrible it was going to be.” I remain frozen in my meerkat position...

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