Skip to main content

SELL OUT WEEKEND: ADVENTURE TRAVEL FILM FESTIVAL 2014


What moment would you pick as the standout moment in a weekend of adventure travel films, workshops and presentations camping and bush craft, organised by Lois Pryce and Austin Vince? It’s a tough call.

You may have been baffled by Tim Cope and Chris Hatherley’s fourteen month trip from Russia, across Serbia and Mongolia, to Beijing, enduring cold, hunger, exhaustion and frostbite. The two twenty year old guys from Australia shared a tent, their sleeping and waking hours, and the arduous journey in ‘Off The Rails’ (2001).

Maybe you were impressed by the nomadic Bakhtiari people in the 1976 film ‘People of the Wind,’ filmed by Anthony Howarth, making the annual migration across the Iranian mountains, leading their flock from Summer to Winter pasture.  With speaking much, without visible signs of communication or affection, the families are individually focussed on their roles: small children carry their younger siblings, lambs or puppies, colts or calves, along hazardous and narrow mountain trails, adults shove and poke at reluctant mules and cows as they stumble on the harsh terrain, men heave sheep across an icy, fast flowing river. They make the journey because they have to.

Americans Josh Thomas and J J Kelley didn’t have to follow the sacred river from source to sea in the funny and delightful ‘Go Ganges’ (2011), and British guys Alastair Humphreys and Leon McCarron didn’t have to attempt to retrace Thesiger’s steps in another endurance test in ‘Into The Empty Quarter’ but in both cases – and other festival films too – these young men want to go beyond the safe, the known and the predictable, and to push themselves, conquer difficulties, and achieve a goal well beyond the ordinary.

In most trips there comes a low point, where the conditions become too hard, the travellers are exhausted, morale is low and, worst of all, you question yourself and what the hell you’re doing. At just this point, in an astonishingly intimate close up Alastair Humphreys lets out an agonised wail right into camera, ‘Why can’t I be happy in one place, like normal people?!’ It was a brave decision to keep this moment of private pain in the documentary when it could so easily have been cut, but who are ‘normal’ people, and how can he know they’re happy?

That was the moment I’ll remember: for his honesty and courage in sharing it, and for the question itself, which all of us who travel ask ourselves, because standing still is not an option. Travel for the Bakhtiari people was for survival, yet they would still resist being settled by their government in one place. For many of us travel is about change and learning, and our many and varied journeys, whether local or global, respond to that ancient nomadic part of ourselves that makes us curious and restless. What’s around the next corner? No idea, but the Adventure Travel Film Festival will be running again next August to inspire us, and to remind us that we’re in good company.

Comments

Popular posts from this blog

Running ‘till your nipples bleed

An email from a friend of mine arrives; she complains that, at work, she is routinely subjected to gruesome accounts of female colleagues’ intimate medical procedures and gynaecological problems. I am all commiseration because I, too, have had years of listening to workplace chats about periods, childbirth and sex lives. Oh please. Later, I wander off for a walk in the early evening sunshine and it is so silent and so beautiful that I flop down on the grass and lay awhile gazing out over the rolling fields, and the mouth of the river, and fall into a reverie. Two men pass by. A few minutes later sounds of women’s talk float nearer and, by the time the two females of the species draw level with me, I have risen up from my deliciously recumbent position in the meadow, alert and tense, something like a meerkat. “I do feel for her. Going down that IVF route is such an emotional roller coaster. I was never prepared for how terrible it was going to be.” I remain frozen in my meerkat position...

OLD JOY. Dir Kelly Reichardt. 2005

Dropout Kurt arrives in town and calls up his old friend, earnest father-to-be Mark to suggest a camping trip out in the forest, away from the city. They haven’t seen each other for some time and the film suggests a desire for intimacy as well as a quest for peace. Something of a lost soul, Kurt is emotional and, at times, to be pitied. He lives outside society, in a world of new age type retreats and travels, which seem to have left him out on the margins. In contrast, Mark has a home and a pregnant partner, and tunes his car radio in to phone-ins with much loud chat about the state of society in America but he seems only half alive. They drive out of town, with the camera as passenger, which gazes out of the car window while a gorgeous soundtrack by Yo La Tengo sets a mellow mood. The use of extended silence makes me a little uneasy; it’s hard to get away from memories of Deliverance, and a sense of apprehension. In the city, the glass of the car windows insulates us...

Ian McEwan. Amsterdam. London: QPD, 1998

McEwan’s novel about ambition, personal betrayal and revenge features Clive, a modern composer trying to complete a major orchestral work, his friend Vernon, an editor trying to save his ailing newspaper, and Garmony, an unscrupulous right-wing politician on the rise. In common, all three have, in previous years, been lovers of recently dead Molly. They meet at her funeral and the story follows the next few weeks of the men’s lives. Vernon and Clive act as one another’s conscience, each infuriating the other. Which is more important, honesty, friendship and trust or Vernon’s newspaper and Clive’s symphony? The novel presents the difficulties of balancing personal and public morality, the importance of private shame and public reputation, the conflict between taking a moral decision for the greater good, or putting first ones own desires. Not just a simple exposé of a politician with a vulnerable side, Amsterdam is full of double standards and surprises, and takes a long, cynical look a...