Skip to main content

The Illegal Eagles. Truro. 22nd November 2006

I love live music. It’s that breadbasket-as-the-bass drum, pounding in the chest thrill. Okay, they’re a bit loud, but it’s fun. For a moment there I came over a bit nostalgic, with the whole 70’s soft California rock scenario - their lead guitarist with long hair, a clipped beard, and wearing flared jeans. This is unfortunately accompanied by an unwelcome emotional response – wistful and, oh dear, a bit resentful. I actually heard the thought, ‘when anything felt possible.’ Teenagers do think this, and I suppose it’s true, if circumstances are favourable. At times like that, I feel like I’m in the Indiana Jones film where he seeks the Holy Grail, and the old knight says to the first guy, “You chose poorly.” It’s that simple. There’s still time to have some fun though, just not in a spring fresh body – and not with the wide eyes of innocence. Dear old Eagles, with their romantic ballads and coupledom songs, sweet. Great to hear Peaceful Easy Feeling, Take It to the Limit, One of Those Nights, Takin’ It Easy, Lyin’ Eyes, and of course Hotel California. Desperado makes my heart hurt.

The second half of the set is terrific with the audience singing along to the old favourites, and a fab selection of rock classics. When the band pause to talk us into a new number, some of the crowd yell out, “Get on with it, we wanna boogie!” - so they have to cut out the chit-chat and get back into the groove. I’m sitting directly behind the light and sound technicians, and the light show is quite a spectacle too, with the control board played like a piano, and the spotlights rotating and swooping around the auditorium. I was expecting sirens to wail. A great set, and The Illegal Eagles, now ten years old, send their audience home happy, so happy that a complete stranger pays for my car park ticket. Pay It Forward.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

Running ‘till your nipples bleed

An email from a friend of mine arrives; she complains that, at work, she is routinely subjected to gruesome accounts of female colleagues’ intimate medical procedures and gynaecological problems. I am all commiseration because I, too, have had years of listening to workplace chats about periods, childbirth and sex lives. Oh please. Later, I wander off for a walk in the early evening sunshine and it is so silent and so beautiful that I flop down on the grass and lay awhile gazing out over the rolling fields, and the mouth of the river, and fall into a reverie. Two men pass by. A few minutes later sounds of women’s talk float nearer and, by the time the two females of the species draw level with me, I have risen up from my deliciously recumbent position in the meadow, alert and tense, something like a meerkat. “I do feel for her. Going down that IVF route is such an emotional roller coaster. I was never prepared for how terrible it was going to be.” I remain frozen in my meerkat position...

MAN ON WIRE. Dir James Marsh. 2008

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...