Skip to main content

e-Marketing 1

Firstly, it’s essential to understand the brand. What voice does it have? Is it quirky and funny, elegant and classy, or practical and no messing?

Secondly, this message needs to be designed and written in a fitting style and tone. Are the photographs transmitting the same message as the text? Quirky images and funny text or perhaps stylish photography and smooth prose.

Thirdly, get the message out. So what’s the best way? Always holding the ‘character’ of the brand in mind, everything has to match; the website, links to Facebook and twitter, brochures and mailing material, flyers and posters.

Sound simple? Hardly. Step one means taking the time to thoroughly understand not only the product, but the entire company and the guiding principles of the boss/es. This includes their personal values, such as whether their driving principles are money or perhaps the environment, and what is their behaviour. If this is a green company, do the directors drive low emission cars? Or, if the main man is striving for a silky, corporate image, perhaps he slides into work in a long, shiny black sedan with an engine so quiet it barely purrs.

Check out their attitude, from the company bosses, through admin staff to catering. For that company message to be as accurate as possible, and to send a clear, congruent message, all those staff need to be singing the same song. So, get them together; pack them in a room and throw questions at them, play games with them, watch and listen as they build strong teams and sharpen up.

Finally, when you’ve put away all the coloured paper, glue and glitter pens, flipchart brainstormers and dirty coffee cups, you should all have the same sense of who/what that brand voice is. It’s a character on its own. It has personality. All the rest follows.

Note: Brands to look at for clear messaging and style

http://www.duchyofcornwall.org/aroundtheduchy_duchycottages.htm
http://www.pendennis.com/

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

HARRIET. Dir. Kasi Lemmons. 2019

Astonishing true story of early freedom fighter, Harriet Tubman, enslaved in the Southern states of America. Despite her marriage to a freeborn African-American, she was unable to protect any of their hoped-for children from being born into that same slavery, and being owned by the farm proprietor. Her overpowering sense of injustice compelled her to act. She escapes, and eventually becomes one of America’s great heroes. Her audacity is astonishing, the level of courage she sustained, her extraordinary tenacity and physical endurance, not to mention cunning and excellent planning. One of those qualities would be worthy of high praise but she is exceptional for having all of them, created by her determination to rescue her family and then other captives. She was responsible for the escape of almost 300 slaves Her religious faith was absolute and she felt guided by God to help others, aided by Abolitionists and free African-Americans. Filmed in glorious colour, with deft...