Skip to main content

Susan Fletcher. Eve Green. London: Harper Perennial, 2005

Evangeline is 29 and pregnant. She thinks about the baby she is about to have, and remembers her own mother who died when she was eight. She is sent to live on a Welsh farm with her grandparents who she had never met; she adapts, and develops a deep affection for them, the farm and the landscape. Eve Green is an observant novel, sensitively written, with close detail that allows the reader to become absorbed in the world of the story. Fletcher writes with a great sense of affection for people and place and, although I was astonished to find the editor had missed the phrase ‘bored of’, there are some deft touches; ‘I felt that our secrets had been pressed together, twisted into the same shape, and that they couldn’t be peeled apart again.’ Memories are interwoven with her childhood perspective of detail from one long, hot summer, when a girl from the village went missing. Fletcher inserts little pieces of supposition, as a child might speculate, and builds up tension around Eve’s childhood narrative. This is a really gentle novel which evokes a strong sense of place and with some lovely turns of phrase to savour.

Comments

Popular posts from this blog

OLD JOY. Dir Kelly Reichardt. 2005

Dropout Kurt arrives in town and calls up his old friend, earnest father-to-be Mark to suggest a camping trip out in the forest, away from the city. They haven’t seen each other for some time and the film suggests a desire for intimacy as well as a quest for peace. Something of a lost soul, Kurt is emotional and, at times, to be pitied. He lives outside society, in a world of new age type retreats and travels, which seem to have left him out on the margins. In contrast, Mark has a home and a pregnant partner, and tunes his car radio in to phone-ins with much loud chat about the state of society in America but he seems only half alive. They drive out of town, with the camera as passenger, which gazes out of the car window while a gorgeous soundtrack by Yo La Tengo sets a mellow mood. The use of extended silence makes me a little uneasy; it’s hard to get away from memories of Deliverance, and a sense of apprehension. In the city, the glass of the car windows insulates us...

Interior Life of an Estate Agent - part 18

You're not from round 'ere then? I am surrounded by delightful young families, happily retired couples, or contented empty nesters, enjoying their return to pre-children companionship and some freedom from parental responsibility, as well as a large number of women who have escaped their marriages and bought a dog, preferring long walks and book clubs. One of the imbalanced things about living in the west country, as with living in the farther reaches of Scotland, is that there is a surfeit of single women and a dearth of suitable single men. The men are wage slaves, and to be found in the south-east whereas women, on the whole, like a bit of a view. This must be the centrifugal effect, as though single women have been flung out from the frenzied middle of a dance, and have landed, like so many wallflowers on the hard chairs all around the dance hall. I can tell you; those chairs are hard; and sitting on them makes you invisible; not, however, to the sort of man who has an ...

Use and Abuse

Sitting outside in the evening sun with ice chinking in my gin and tonic, our chatter is interrupted by the mildly irritating, feeble piping of a child’s recorder. Five or so minutes later a little boy, aged about seven, is planted by the entrance door to the theatre, and carries on blowing down the damned thing. A woman folds a towel and places it by his feet. The boy’s little sister is placed alongside her brother; she’s about five. The woman walks up and down the piazza with a mobile phone clamped to her ear, talking incessantly. Sometimes she comes and sits with a man but they do not go near the two children. The children are pale; they look miserable, and keep going over to the man and woman, but are brought back to the theatre door. It is not obvious the first time he does it, but the man makes a flamboyant gesture of bending forward, dropping coins onto the folded towel, giving a thumbs up sign to the little boy, smiling broadly and then walking away. He seemed to be a man in th...