THE DEPARTED, Dir Martin Scorsese. 2006.

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Jack Nicholson, Leonardo di Caprio and Matt Damon star in this gripping thriller. Nicholson is an Irish mafia crime boss controlling Matt Damon as his plant in the State Troopers, and Leonardo di Caprio plays the undercover policeman placed inside the Irish mafia, but without full and legal membership of the police, and without protection. It's a tense, edgy drama, and becomes a race against time for each agent to unmask the other before being unmasked himself. It is also very violent. Matt Damon is successful and smooth, and seems in control all the way through while Leonardo di Caprio is alone, at risk, and playing a dangerous game. The acting is superb, and the ending clever and surprising; Jack Nicholson is menacing and strong, without any of his frequent maniacal eccentricities; di Caprio is impressive and on fine form, while Matt Damon recaptures some of the uncomfortable, chilling characteristics he used in The Talented Mr Ripley. It's an edge of the seat experience throughout.

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GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

MAN ON WIRE. Dir James Marsh. 2008

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...

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