Skip to main content

Interior Life of an Estate Agent - part 24

En garde

I’ve been worrying about our newest member of staff. She’s fresh out of school, an absolute stunner, with a sweet nature, and she’s being sent out on viewings. I don’t like it. It has never occurred to me before to worry about being in an empty house with a stranger but I’m not happy about her being in that position. She may be fine. She may never have to deal with some old creep’s unwanted attentions. I mention my concerns several times but my colleagues, and this little cutie-pie, all look blankly at me as if I’m being neurotic. I let it go.

Today, for the first time, I’m sitting in my car and I know I’ve got an odd one. I see a man shuffling about near the house where I’m to meet my next client. I know he’s my man because he is walking strangely; he looks shifty and disturbing, and I wouldn’t go near him if I had a choice. Well, at least it’s me not the youngster who’s out here.

I stride up to him and act like I’m taller and wider than I really am. I’m very physical with the door and actively take up a lot of space when I step inside the house, speaking loudly and exhibiting masterful control of the situation. After a few minutes and a lot of time wasting in the garden I recognize that I’m putting off taking him upstairs.

It has to be done but I have a brainwave and send him up first. There’s no way I’m going to get cornered by this laddie. It’s a small place but I manage to stay behind him so that he has to enter the bedrooms while I stay in the hall and point at items of interest, still talking loudly and confidently, and filling the doorframe. I lead the way downstairs feeling pretty triumphant, let’s face it. I survived the two of us staring mutely at the large double bed. I am so intimidating.

I even think I may have made a sale. I smile broadly and hold out my hand for a solid shake, and closure. He looks deep into my eyes, takes my right hand firmly within his, then leans forward with his left hand as well, for a double clasp. I am outside, standing in the road, yet I feel stifled; held by his gaze, and enclosed by his hands.

I wonder what cute little Emily would have done, and I’m glad she didn’t have to.

Comments

Popular posts from this blog

Running ‘till your nipples bleed

An email from a friend of mine arrives; she complains that, at work, she is routinely subjected to gruesome accounts of female colleagues’ intimate medical procedures and gynaecological problems. I am all commiseration because I, too, have had years of listening to workplace chats about periods, childbirth and sex lives. Oh please. Later, I wander off for a walk in the early evening sunshine and it is so silent and so beautiful that I flop down on the grass and lay awhile gazing out over the rolling fields, and the mouth of the river, and fall into a reverie. Two men pass by. A few minutes later sounds of women’s talk float nearer and, by the time the two females of the species draw level with me, I have risen up from my deliciously recumbent position in the meadow, alert and tense, something like a meerkat. “I do feel for her. Going down that IVF route is such an emotional roller coaster. I was never prepared for how terrible it was going to be.” I remain frozen in my meerkat position...

Ian McEwan. Amsterdam. London: QPD, 1998

McEwan’s novel about ambition, personal betrayal and revenge features Clive, a modern composer trying to complete a major orchestral work, his friend Vernon, an editor trying to save his ailing newspaper, and Garmony, an unscrupulous right-wing politician on the rise. In common, all three have, in previous years, been lovers of recently dead Molly. They meet at her funeral and the story follows the next few weeks of the men’s lives. Vernon and Clive act as one another’s conscience, each infuriating the other. Which is more important, honesty, friendship and trust or Vernon’s newspaper and Clive’s symphony? The novel presents the difficulties of balancing personal and public morality, the importance of private shame and public reputation, the conflict between taking a moral decision for the greater good, or putting first ones own desires. Not just a simple exposé of a politician with a vulnerable side, Amsterdam is full of double standards and surprises, and takes a long, cynical look a...

OLD JOY. Dir Kelly Reichardt. 2005

Dropout Kurt arrives in town and calls up his old friend, earnest father-to-be Mark to suggest a camping trip out in the forest, away from the city. They haven’t seen each other for some time and the film suggests a desire for intimacy as well as a quest for peace. Something of a lost soul, Kurt is emotional and, at times, to be pitied. He lives outside society, in a world of new age type retreats and travels, which seem to have left him out on the margins. In contrast, Mark has a home and a pregnant partner, and tunes his car radio in to phone-ins with much loud chat about the state of society in America but he seems only half alive. They drive out of town, with the camera as passenger, which gazes out of the car window while a gorgeous soundtrack by Yo La Tengo sets a mellow mood. The use of extended silence makes me a little uneasy; it’s hard to get away from memories of Deliverance, and a sense of apprehension. In the city, the glass of the car windows insulates us...