Skip to main content

Interior Life of an Estate Agent - part 22

Overcoming Nature

Rose is in bed again. Each time I go out to visit the old cottage lately she has been in bed. Her asthma is so bad this time that she is taking steroids simply to breathe; to stay alive. There is an oxygen cylinder beside her bed. Out in the country, beyond calling distance of any neighbours, she has this for company, and to help her breathe at night until a doctor or an ambulance comes if she manages to phone.

She is all smiles, as always. Her eyes are large and direct, and shine her welcome. Her face is as open and fresh as a child’s. She does not look ill at all, but as sunny and as bright as this late spring day. She asks many questions about what I’m doing, and who I’m seeing, and how I’m getting along, but she is stoic and philosophical about herself. She is accustomed to being barely able to breathe and has adapted to the limitation after so many years of labouring for air.

My viewing party arrive and we crawl all over the 400 year old cottage, poking into its nooks and crannies, opening and shutting cupboards and peering into the barns and sheds. Inside, the ancient cob walls hold the silence and all is still and peaceful. Outside, the children run about, disappear behind trees and amongst mature shrubs, and re-emerge laughing. Full blown roses hang heavy against the cottage walls: they haven’t been pruned in years, and everywhere we look there are flowers turning their faces to the sun, full buds almost at the point of bursting open, and leaves green and vibrant. The only sounds are birdsong and the laughter of the children exploring the domestic wilderness.

This place is such a rarity. Here we have three acres of grounds, stocked with just about any plant, shrub or tree you could name, most of them settled in for decades; seeds being sown, sap rising, fruits forming, then all dying back and resting before starting the cycle again. Very simply maintained, this is a garden in which to sit and dream, to fall into drowsy reverie, and maybe sleep. But there is also a sense of vigour, of energetic, unrelenting life, that force of nature which is exhausting should you try to control it.

Yet what do my second viewing party want to do? We walk the boundary and, as I point out the variety of stunning Azaleas and Rhododendron, and look up to admire the magnificent copper beech, there is strident talk about the need to pull out all sorts, to clear trees, and tidy it all up, to get a ride on mower and keep it all neat. I’m thinking people with this absence of soul should go and buy a golf course if that’s the kind of garden they want; a sanitized, regulated, organized piece of ground with as much character as a sheet of vinyl.

I’m glad that Rose won’t be there to see it happen.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

HARRIET. Dir. Kasi Lemmons. 2019

Astonishing true story of early freedom fighter, Harriet Tubman, enslaved in the Southern states of America. Despite her marriage to a freeborn African-American, she was unable to protect any of their hoped-for children from being born into that same slavery, and being owned by the farm proprietor. Her overpowering sense of injustice compelled her to act. She escapes, and eventually becomes one of America’s great heroes. Her audacity is astonishing, the level of courage she sustained, her extraordinary tenacity and physical endurance, not to mention cunning and excellent planning. One of those qualities would be worthy of high praise but she is exceptional for having all of them, created by her determination to rescue her family and then other captives. She was responsible for the escape of almost 300 slaves Her religious faith was absolute and she felt guided by God to help others, aided by Abolitionists and free African-Americans. Filmed in glorious colour, with deft...