Skip to main content

The Illegal Eagles. Truro. 22nd November 2006

I love live music. It’s that breadbasket-as-the-bass drum, pounding in the chest thrill. Okay, they’re a bit loud, but it’s fun. For a moment there I came over a bit nostalgic, with the whole 70’s soft California rock scenario - their lead guitarist with long hair, a clipped beard, and wearing flared jeans. This is unfortunately accompanied by an unwelcome emotional response – wistful and, oh dear, a bit resentful. I actually heard the thought, ‘when anything felt possible.’ Teenagers do think this, and I suppose it’s true, if circumstances are favourable. At times like that, I feel like I’m in the Indiana Jones film where he seeks the Holy Grail, and the old knight says to the first guy, “You chose poorly.” It’s that simple. There’s still time to have some fun though, just not in a spring fresh body – and not with the wide eyes of innocence. Dear old Eagles, with their romantic ballads and coupledom songs, sweet. Great to hear Peaceful Easy Feeling, Take It to the Limit, One of Those Nights, Takin’ It Easy, Lyin’ Eyes, and of course Hotel California. Desperado makes my heart hurt.

The second half of the set is terrific with the audience singing along to the old favourites, and a fab selection of rock classics. When the band pause to talk us into a new number, some of the crowd yell out, “Get on with it, we wanna boogie!” - so they have to cut out the chit-chat and get back into the groove. I’m sitting directly behind the light and sound technicians, and the light show is quite a spectacle too, with the control board played like a piano, and the spotlights rotating and swooping around the auditorium. I was expecting sirens to wail. A great set, and The Illegal Eagles, now ten years old, send their audience home happy, so happy that a complete stranger pays for my car park ticket. Pay It Forward.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

HARRIET. Dir. Kasi Lemmons. 2019

Astonishing true story of early freedom fighter, Harriet Tubman, enslaved in the Southern states of America. Despite her marriage to a freeborn African-American, she was unable to protect any of their hoped-for children from being born into that same slavery, and being owned by the farm proprietor. Her overpowering sense of injustice compelled her to act. She escapes, and eventually becomes one of America’s great heroes. Her audacity is astonishing, the level of courage she sustained, her extraordinary tenacity and physical endurance, not to mention cunning and excellent planning. One of those qualities would be worthy of high praise but she is exceptional for having all of them, created by her determination to rescue her family and then other captives. She was responsible for the escape of almost 300 slaves Her religious faith was absolute and she felt guided by God to help others, aided by Abolitionists and free African-Americans. Filmed in glorious colour, with deft...