Skip to main content

VICKY CRISTINA BARCELONA. Dir Woody Allen. 2008

Image result for movie images vicky christina barcelona


Love and sunshine for Vicky and Christina, two young American girls spending a summer in Barcelona. Vicky (Rebecca Hall) is engaged and has come to stay with a family friend whilst doing research for her thesis. She is confident, mature and not to be trifled with. Cristina (Scarlett Johansson) is unattached, sexually available, sexually uninhibited and keen to be trifled with. When the two girls are approached in a restaurant by bohemian artist Juan Antonio (Javier Bardem) with a direct offer to come away for the weekend with him and enjoy a sexual threesome, Cristina is game.

Vicky agrees to go along as chaperone but barely tolerates Juan Antonio’s well rehearsed seduction techniques and apparently innocent openness. Cristina slips upstairs to his room for some eagerly anticipated lovemaking but falls ill and spends the weekend alone in her own bed, throwing Vicky and Juan Antonio together.

Rebecca Hall is excellent as the modern, educated young woman with a life plan, a strong interest in her career and a sound understanding of human behaviour. Acerbic and impatient at first, she begins to see a more appealing side to Juan Antonio when he stops playing the Lothario. Bardem clearly relishes the opportunity to play the relaxed seducer after his chilling performance in ‘No Country For Old Men,’ and exchanging the psychotic coldness of that role for a mischievous warmth and sensitivity.

Johansson is underused, playing the sexy girl again when she is capable of far more. Woody Allen used her well in ‘Match Point’ where she played a dangerously neurotic femme fatale but here, she merely has to be aimless and discontented. Penelope Cruz is sultry and glowering as the unstable ex-wife, Maria Elena, pouting and storming, outspoken and fragile as a child, and Chris Messina gives a natural and realistic performance as Vicky’s new husband.

Despite the intrusive voiceover, Vicky Cristina Barcelona is funny and touching with an ironic perspective on sexual etiquette and morality, and the photogenic cast and sunny locations are a visual holiday.

Comments

Popular posts from this blog

OLD JOY. Dir Kelly Reichardt. 2005

Dropout Kurt arrives in town and calls up his old friend, earnest father-to-be Mark to suggest a camping trip out in the forest, away from the city. They haven’t seen each other for some time and the film suggests a desire for intimacy as well as a quest for peace. Something of a lost soul, Kurt is emotional and, at times, to be pitied. He lives outside society, in a world of new age type retreats and travels, which seem to have left him out on the margins. In contrast, Mark has a home and a pregnant partner, and tunes his car radio in to phone-ins with much loud chat about the state of society in America but he seems only half alive. They drive out of town, with the camera as passenger, which gazes out of the car window while a gorgeous soundtrack by Yo La Tengo sets a mellow mood. The use of extended silence makes me a little uneasy; it’s hard to get away from memories of Deliverance, and a sense of apprehension. In the city, the glass of the car windows insulates us...

Use and Abuse

Sitting outside in the evening sun with ice chinking in my gin and tonic, our chatter is interrupted by the mildly irritating, feeble piping of a child’s recorder. Five or so minutes later a little boy, aged about seven, is planted by the entrance door to the theatre, and carries on blowing down the damned thing. A woman folds a towel and places it by his feet. The boy’s little sister is placed alongside her brother; she’s about five. The woman walks up and down the piazza with a mobile phone clamped to her ear, talking incessantly. Sometimes she comes and sits with a man but they do not go near the two children. The children are pale; they look miserable, and keep going over to the man and woman, but are brought back to the theatre door. It is not obvious the first time he does it, but the man makes a flamboyant gesture of bending forward, dropping coins onto the folded towel, giving a thumbs up sign to the little boy, smiling broadly and then walking away. He seemed to be a man in th...

Interior Life of an Estate Agent - part 17

Good Evening Mr Bond There are two couples to take round a little house on a new estate on the edge of town and I have strict instructions to make sure that the cat must not get out. I’m dreading this because I imagine a swift little beast slipping through our legs as soon as we open the front door. There’s no sign of it though and we all squeeze in, afraid to open the door wider than our sideways body widths, and close it with relief. Monsieur Chat peeps seductively round a door frame leading into the living room, delicately places a furry paw onto the hall carpet and sways towards us, allowing his body to brush lingeringly against the paintwork. Truly, this is Blofeldt’s cat. Condemned to a life indoors, his only pleasures are sensory. He is brushed, smoothed, fondled, and caressed. The world beyond the window; a world of territorial disputes, raking claws and screams in the night, is unknown to him. He slinks towards me, arching his back with pleasure and kinking his tail in...