Ken patiently tolerates Ray’s nervousness and the two spend time sightseeing. Nothing happens for a time although Ray does meet a girl working on a film set but, once he’s asked her out, she doesn’t work on it anymore which is puzzling. The earlier botched assassination also makes no sense as a small boy would run away or hide if he heard gunshots.
Common sense and continuity flaws aside, there are references to ‘Don’t Look Now’ in the way Bruges is made to look sinister at times around the canals and mediaeval architecture. There’s also a midget.
Contrasted with Gleeson’s dignified calm, Farrell grimaces, twitches and fusses, unable to form a natural facial expression for much of the story.
Lacks pace, tension and meaning although the ending is a redemption or sacrifice of sorts, honour among thieves/killers sort of thing. Funny in places.
0 comments:
Post a Comment