Skip to main content

Manic Street Preachers, Truro, 3rd June 2007

There are 1800 folk in tonight for a gig that sold out in just over an hour. The Manics were in Bristol last night, and Truro has drawn in this huge crowd from Devon and all around the west country, the Celtic fringe, all in great spirits, all looking forward to a good night. If people were smart and checked the ticket prices maybe they’d think it worth the drive down to Cornwall for tickets at £25 compared to £59 at Brighton and £65 at Southampton. Hey, good deal. We’re cheap down here.

The security guys are a nice bunch of lads, enormous, and very polite. One guy stands next to me and accidentally brushes my face with his arm; he’s so big he can’t see me down here as he scans the floor from his vantage point. I look up to see what it was that bumped me in the dark, and connect my face with his upper arm – my head doesn’t even reach his shoulder. Ridiculous. I’m not small. What on earth did his mother feed him on? He’s got to be 6ft 8ins at least. Good manners though. He’s one of those gentle giants I suppose, so I keep hoping a fight will break out, or a drunk will get mouthy, simply so that I can see him in action; silent and swift, or heavy handed and hard.

It’s a largely masculine audience. The music is purposeful, strong, loud. The band are terrific, the singing spot on, and the whole set offers a wide mix of music. Singing styles and sound are varied, with one number reminiscent of Sting and the Police, one with a bit of a Runrig feel, soulful ballads and punk blasts. It’s a great range, tightly performed with real verve. They finish off with their crowd pleasing hit single, 'A Design For Life,' and people just don’t want to leave. They hang over the stage, gazing at the roadies dismantling the set, wistful and happy. Good vibrations.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

MAN ON WIRE. Dir James Marsh. 2008

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...