Skip to main content

Emasculinity

On the return train there is no dining car layout, instead we have plastic boxes with pre-packed sachets of washed and cut fresh apple, all the way from France, biscuits in wrappers, a bread roll with a smear of filling, and as many drinks as we like. Same company, different style of catering. Why? There is a buffet car though, for the gourmets among us.

The carriage is full of workers, beavering away on their laptops or shouting their importance into mobile phones. I wish they’d shut up. I don’t care who they are or what they said to so-and-so in the meeting. I pity the poor fools that think this qualifies as a life.

A very attractive, and smartly dressed Scotswoman was very loud on her phone on the way up here, on her way to Glasgow after a day of such meetings. I was sitting about ten seats away but, such was her annoyance, her conversation was inescapable.

Not really a conversation, but a diatribe, directed at her son, aged 19, who had a friend that had annoyed her very much by ‘living in our house’ for weeks apparently and had enraged her by calling on her hapless son the preceding evening, which prevented him from studying.

She rants at him for not getting himself a suit. Eventually she makes several other calls, to her husband (where has he been all the while?) and to various shops in Glasgow, before calling their son back with more invective to say he must meet her at the station at 7.00 that night and she will go with him and buy his suit at the Glasgow Fort because everywhere else is closed.

She makes a further phone call to a travel company to pay for this young man’s holiday which he has failed to do.

She calls her son back repeatedly to rail against him for not doing these things himself.

Why would he, when she is going to sort it out for him?

Infantilized, emasculated. By what I wonder.

Fifty years ago this boy, at 19, would have gone off to war, a fighting man, or he may have been apprenticed and working, or a husband or father. What is such a modern young man’s purpose when even the task of consuming is far too onerous? Leave it all to mother.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

MAN ON WIRE. Dir James Marsh. 2008

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...