Skip to main content

Ivan Turgenev. Fathers and Children, trans Avril Pyman. London: Everyman, 1962

I loved this beautifully paced, insightful and wise Russian tale about the arrogance and disrespect of youth towards the older generation, contrasted with the dignity, good manners, liberalism and respect of the country estate ‘little aristocrats’. Turgenev writes with great sensitivity, evoking the profound social change and conveying characters’ deep emotion without ever stating it; such understated writing and unhurried pace comforts and absorbs. He leaves the reader to infer what goes unsaid and, in this short novel, puts across a gently ironic overview of the social structure of the time; the liberal enlightened landowners are caught between trying, on the one hand, to give ‘their’ peasants autonomy, while on the other hand, they have the peasants mocking them and not seeming to want responsibility for their own living. The blurring of the old boundaries and systems is disquieting to everyone. He does kill off the dangerous young student scientist nihilist, who is a threat to everything and everyone, and happily restores the nice young man to his family farm where he begins to introduce a fresh, but not revolutionary approach to managing the country. Makes me want to read more Russian literature.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

HARRIET. Dir. Kasi Lemmons. 2019

Astonishing true story of early freedom fighter, Harriet Tubman, enslaved in the Southern states of America. Despite her marriage to a freeborn African-American, she was unable to protect any of their hoped-for children from being born into that same slavery, and being owned by the farm proprietor. Her overpowering sense of injustice compelled her to act. She escapes, and eventually becomes one of America’s great heroes. Her audacity is astonishing, the level of courage she sustained, her extraordinary tenacity and physical endurance, not to mention cunning and excellent planning. One of those qualities would be worthy of high praise but she is exceptional for having all of them, created by her determination to rescue her family and then other captives. She was responsible for the escape of almost 300 slaves Her religious faith was absolute and she felt guided by God to help others, aided by Abolitionists and free African-Americans. Filmed in glorious colour, with deft...