Skip to main content

Interior Life of an Estate Agent. Part 6

It's quiet now. The crazy pre-Christmas house-buying spree has ended. The phone hardly rings. We drink coffee and eat chocolate to pass the time. I get a call from a desperate purchaser whose own sale has fallen through; their buyer has pulled out, causing them to lose the house they were going for. What can I say? It's sad, and annoying, but there's nothing to be done. People always get angry with estate agents for this sort of mishap, or blame the solicitors, yet its always some fickle punter who either backs out of a sale or withdraws their property from the market. Everyone wants to shoot the messenger.

This woman on the phone is saying they have found another purchaser and are prepared to sell at a lower price in order to continue with the purchase that had to be stopped, providing the seller will agree to continue at the same price he agreed two months ago. There's the rub. The owner has put the place back on the market for another £15,000, part of which he feels will cover the money he has lost in rental during negotiations. I call him and put the offer to him but he's reluctant. I have to ring back the disappointed woman and tell her he's not prepared to drop the price, continue to lose rental income, and possibly wait another few months. She keeps me on the phone for many minutes saying the same thing in a variety of different ways.

She's determined to convince me that she can effect her sale in a fortnight. I tell her it is rarely less than six weeks because her buyers have to start from scratch but she won't have it. First she tells me they are cash buyers then, when I ask her about this, she tells me they are in rented accommodation. This is not cash. Then she says they have a mortgage in place. This is not cash. If they have a mortgage in place it only means an agreement, the mortgage company still have to be satisfied about the particular property, and always require valuations and surveys. Two weeks. I wish it could be. I'm sorry for them. I'm less sorry for them as she goes on talking, on and on. I bring her to the point several times but still she goes over the same ground. If only it were cash. Who the hell has £240,000 in cash?

On a more optimistic note, after being with this firm for two months, and yet to make a sale, I get a call from a very Cornish man who's interested in a terraced Victorian property. He wants to know why the house next door looks so disgusting, filthy, with rotten windows, drawn curtains, and a terrible air of neglect. I find out and call him back to say that there's an elderly widower in there, who has no money to fix anything but that he has had the roof done. He's pleased about this because, for some reason, he thinks if it was empty it might make the next door house, the one for sale, damp. Not sure how this works, although the dilapidated place does lower the tone a tad. He books a viewing. He's in rented. Could he have cash? Lordy, lordy, let this be my first sale or I may not have this job for long.

Comments

Popular posts from this blog

GLORIOUS 39. Dir Stephen Poliakoff. 2009

Glorious 39 strips away illusions. Poliakoff presents the apparent idyll of an English aristocratic family headed by genteel patriarch Lord Keyes (Bill Nighy). He presides over a country estate in Norfolk and his elegant townhouse in London – a world of golden light, romantic ruins, servants, house parties and happy children. But this is 1939, a mere 21 years since the Great War, the war to end all wars, in which millions died, Britain was crippled with war debt, and the English country house system which he so values was almost annihilated. There are many references to the ancientness of his family and tradition, but now, few male servants remained alive or unmaimed to work the English landscape or to be in service to the old families. Fearing domestic and political upheaval, appeasers such as Keyes sought to prevent Churchill leading the country and taking Britan to war, and to buy off Hitler to preserve British cultural and national identity. Nighty is excellent, contro...

LOVERS OF THE ARCTIC CIRCLE. Dir. Julio Medem 1998

I should have done some research before going to see this because I thought it was going to be about lovers in the Arctic Circle. Instead of being transported to the icy wastes of an unfamiliar landscape the film is set in urban Spain, but in a very cold Spain with wind, rain and everyone in thick jumpers. Shot in near monochrome, the effect is cold and the Spartan interiors of apartments provide a bleak, comfortless setting for love to blossom. Otto and Ana meet as children and are attracted to each other due to the nature of coincidence, and coincidence plays a large part in the narrative. The two children are engaging and there are some comic scenes between them when young and, later, as teenagers, with trysts in the night and their love kept secret. However, once they’re older the story loses momentum and, at times becomes surreal and confusing as the viewpoint moves in and out of the two characters’ imaginations. Otto suffers an extreme grief reaction when his mother acci...

MAN ON WIRE. Dir James Marsh. 2008

Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets Enthralling documentary about young Frenchman Philippe Petit, whose breathtaking audacity gets him arrested for the ‘artistic crime of the century.’ Man on Wire has a strong theme of destiny throughout. Magician and unicyclist, the teenage Philippe sees a magazine article about the building of the twin towers of the World Trace Center in New York. At that moment his life’s purpose is clear. Everything he does is focused upon this one aim: to wire walk between the two buildings, half a mile above ground level. As bold and daring as a bank raid, the team manages to get onto the top floor of the Twin Towers, ready for the attempt. Film maker James Marsh uses archive footage, photographs, interviews, recreations and graphics to conjure up a dizzying, exhilarating film. Refreshingly dismissive of rules, Philippe has no time or patience for limits and restrictions. Driven by his pa...